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  • Mixtur 2025
    • Program 2025
    • Venues
    • Tickets
    • Workshops
      • Composition and Sound Experimentation Workshop 2025
      • Workshop for performers – Voice 2025
      • Workshop for performers – Violin 2025
      • Improvisation Workshop with Franziska Baumann 2025
    • MIXTUR 2025 COMMISSIONS
    • Mixtur Open Call 2026/2027
  • About us
    • About Us
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    • Collaborate with Us
  • News
  • Previous Editions
    • Mixtur 2012 – 2018
    • Mixtur 2019
      • Program
      • Open Call Mixtur
      • Workshops
        • Workshop on Composition and Sound Experimentation
        • Improvisation Workshop with Evan Parker
        • Workshops for Players
      • Homage Joan Guinjoan
    • Mixtur 2020
      • Program
      • Mixtur Comissions
      • Workshops
        • Workshop on Composition an Sound Experimentation
        • Improvisation Workshop
        • Interpretation Workshop
          • Flute Workshop
          • Voice Workshop
      • Open Call Mixtur
      • Results Open Call Mixtur
    • Mixtur 2021
      • Program 2021
      • Workshops
        • Workshop on Composition and Sound Experimentation
        • Workshop on Improvisation
        • Workshop on Interpretation
      • Open Call 2022/23
    • Mixtur 2022
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        • Workshop on Composition and Sound Experimentation 2022
        • Improvisation Workshop with Lotte Anker 2022
        • Workshops for performers 2022
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        • Composition and Sound Experimentation Workshop
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        • Composition and Sound Experimentation Workshop 2024
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        • Improvisation Workshop with Elisabeth Harnik 2024
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  • EN
    • CAT
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Meeting with Daniel Alvarado

MIXTUR 2024

Program

Meeting with Daniel Alvarado (CO)

 

This lecture will be in English.

Free admission. The entrance will be made in strict order of arrival. Limited capacity

information

The lecture will focus on my work related to mixed music. I will talk in particular about my creative process in two recent works: Low-fi Delirium and Vestigios (tele-radiodifusora nacional). In the first work, I explore the analogue sonorities of vintage instruments and effects, and their interaction with acoustic instruments. In the second, I address the theme of the Colombian armed conflict, establishing links with Colombian poetry, and exploring the notion of vestiges from a musical perspective, especially through the use of sound archives in electronics.

 

Biography

Daniel Alvarado Bonilla began his musical studies with the electric and classical guitar. After graduating from the Universidad de los Andes in Bogotá, he turned to composition and continued his training in France. He studied at the Conservatoires of Lyon and Paris and completed a course in technologies applied to composition at IRCAM. Following his studies, he has collaborated with ensembles and soloists such as Pablo Márquez, the Ensemble Almaviva, the Ensemble Itinéraire, the Diotima quartet, among others. His works have been performed in several countries and on prestigious stages. In the period 2023-2024, he was one of the artists in residence at the Casa de Velázquez in Madrid, Spain.

18/10/2024
14:30h
ESMUC

Free

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