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      • Workshop on Composition and Sound Experimentation
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RESULTS OPEN CALL MIXTUR

The selected artists in the call published in the fall of 2019 are:

MODE 1A - Instrumental or mixed works (with or without video)

Ich seh sie, sobald ich im Vorraum steh (2019) de Matthias Monrad Møller (Dinamarca) per a veu de baríton i piano – 6’

Musik für Gitarre zu vier Händen (2016) de Chen Chengwen (Taiwan) i Tobias Klich (Alemanya) per a guitarra a quatre mans – 12’

Susurrus (2011) de Panayiotis Kokoras (Grècia) per a trio amb piano – 8’

Drops (2017) de Stylianos Dimou (Grècia) per a quartet de saxòfons – 10’

MODE 1B - Electroacoustic works

Quatre machines pour sauver le monde (2019) de Léa Boudreau (Canada) – 12’

Allotropy (2019) de Mariam Gviniashvili (Noruega) – 7’

par l’usure (2019) de Filippos Sakagian (Grècia) – 8’

зона (2019) de Marin Escande (França) – 9’

MODE 1C - Audiovisual works (audio + video)

This modality has been declared deserted.

MODE 1D - Sound installation

Word Clock Counter Clock Wise (Places I remember) – de  Jan Mech (Alemanya/Catalunya)

Still City Blues (El blues de la ciudad inmóvil) – Colectivo Ergo Sound (Madrid)

Record-o-mat – Joana-Naomi Welteke i Nadja Rix (Alemanya)

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