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Container Ensemble

MIXTUR 2024

Program

MECHANICAL MUSIC

  • Study for Player Piano n. 21 (Canon X) (1961-1965), Conlon Nancarrow (US/MX) 

In this work, the R. S. Howard pianola will be played, which is part of the collection of the Music Museum.

  • Spät per a EMS Synthi AKS – Estrena absoluta (2023-24), Container Ensemble (CH)

The EMS Synthi AKS (MDMB 1677) is an instrument from the Music Museum collection restored in 2022 for musical use. SPät is the result of Container Ensemble’s artistic residency at the Museu de la Música, held between autumn 2023 and spring 2024.

  • Duo for Motor and Sound Panels (2016), Marianthi Papalexandri-Alexandri (GR) 
  • Study for Player Piano n. 25 (1961-1965), Conlon Nancarrow (US/MX)
  • Table Book (2023), Svetlana Maraš (CH)
  • In Memoriam Michel Waisvisz (2009), Nicolas Collins (US)

The approximate duration of the concert is 60 minutes.

Haize Lizarazu / Roberto Maqueda / Carlota Cáceres / Chris Moy

Pep Domènech, guest pianolist
Anxe Faraldo, sound engineer

Haize Lizarazu i Roberto Maqueda, production and artistic direction

 

This concert is produced by L’Auditori de Barcelona.

information

Container Ensemble, based in Switzerland, offers an experience based on mechanised sound and electronics. The programme includes both established composers of mechanical music, such as Conlon Nancarrow, and young composers who have already made a name for themselves, like Marianthi Papalexandri-Alexandri. This concert is a unique opportunity to discover a musical form centred on rhythm, with machines, electronics and performers working together to create highly original aesthetic effects. The concert also includes a world premiere by the Ensemble, using the famous EMS Synthi AKS analogue synthesiser, the favourite of such leading exponents of 20th-century electronic music as Tangerine Dream and Jean-Michel Jarre.

 

Biography

CONTAINER Ensemble takes its concerns to the international scene, reflecting in its programmes the latest artistic creation and experimentation in the musical and visual fields. They have been active in different European countries, establishing its main base in Basel. Among its programmes, highlights include Gesture as sonority, where Black Box Music by Simon Steen Andersen was premiered; All the defects of the human being with Generation Kill by the Belgian composer Stefan Prins; as well as premieres by Johannes Kreidler, Lara Stanic and collaborations with Cathy van Eck. 

15/10/2024
19:00 h
L’Auditori – Sala 3

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