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  • Mixtur 2025
    • Program 2025
    • Venues
    • Tickets
    • Workshops
      • Composition and Sound Experimentation Workshop 2025
      • Workshop for performers – Voice 2025
      • Workshop for performers – Violin 2025
      • Improvisation Workshop with Franziska Baumann 2025
    • MIXTUR 2025 COMMISSIONS
    • Mixtur Open Call 2026/2027
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  • Previous Editions
    • Mixtur 2012 – 2018
    • Mixtur 2019
      • Program
      • Open Call Mixtur
      • Workshops
        • Workshop on Composition and Sound Experimentation
        • Improvisation Workshop with Evan Parker
        • Workshops for Players
      • Homage Joan Guinjoan
    • Mixtur 2020
      • Program
      • Mixtur Comissions
      • Workshops
        • Workshop on Composition an Sound Experimentation
        • Improvisation Workshop
        • Interpretation Workshop
          • Flute Workshop
          • Voice Workshop
      • Open Call Mixtur
      • Results Open Call Mixtur
    • Mixtur 2021
      • Program 2021
      • Workshops
        • Workshop on Composition and Sound Experimentation
        • Workshop on Improvisation
        • Workshop on Interpretation
      • Open Call 2022/23
    • Mixtur 2022
      • Program 2022
      • Workshops 2022
        • Workshop on Composition and Sound Experimentation 2022
        • Improvisation Workshop with Lotte Anker 2022
        • Workshops for performers 2022
      • Mixtur Comissions
    • Mixtur 2023
      • Program 2023
      • Workshops
        • Composition and Sound Experimentation Workshop
        • Improvisation Workshop with Gunda Gottschalk
        • Workshops for performers
      • Mixtur 2023 COMMISSIONS
      • Mixtur Open Call 2024/2025
    • Mixtur 2024
      • Program 2024
      • MIXTUR 2024 COMMISSIONS
      • Workshops 2024
        • Composition and Sound Experimentation Workshop 2024
        • Workshops for performers 2024
        • Improvisation Workshop with Elisabeth Harnik 2024
  • Collaborators
  • EN
    • CAT
    • ES
  • Mixtur 2025
    • Program 2025
    • Venues
    • Tickets
    • Workshops
      • Composition and Sound Experimentation Workshop 2025
      • Workshop for performers – Voice 2025
      • Workshop for performers – Violin 2025
      • Improvisation Workshop with Franziska Baumann 2025
    • MIXTUR 2025 COMMISSIONS
    • Mixtur Open Call 2026/2027
  • About us
    • About Us
    • Contact
    • Press
    • Política de privadesa
    • Collaborate with Us
  • News
  • Previous Editions
    • Mixtur 2012 – 2018
    • Mixtur 2019
      • Program
      • Open Call Mixtur
      • Workshops
        • Workshop on Composition and Sound Experimentation
        • Improvisation Workshop with Evan Parker
        • Workshops for Players
      • Homage Joan Guinjoan
    • Mixtur 2020
      • Program
      • Mixtur Comissions
      • Workshops
        • Workshop on Composition an Sound Experimentation
        • Improvisation Workshop
        • Interpretation Workshop
          • Flute Workshop
          • Voice Workshop
      • Open Call Mixtur
      • Results Open Call Mixtur
    • Mixtur 2021
      • Program 2021
      • Workshops
        • Workshop on Composition and Sound Experimentation
        • Workshop on Improvisation
        • Workshop on Interpretation
      • Open Call 2022/23
    • Mixtur 2022
      • Program 2022
      • Workshops 2022
        • Workshop on Composition and Sound Experimentation 2022
        • Improvisation Workshop with Lotte Anker 2022
        • Workshops for performers 2022
      • Mixtur Comissions
    • Mixtur 2023
      • Program 2023
      • Workshops
        • Composition and Sound Experimentation Workshop
        • Improvisation Workshop with Gunda Gottschalk
        • Workshops for performers
      • Mixtur 2023 COMMISSIONS
      • Mixtur Open Call 2024/2025
    • Mixtur 2024
      • Program 2024
      • MIXTUR 2024 COMMISSIONS
      • Workshops 2024
        • Composition and Sound Experimentation Workshop 2024
        • Workshops for performers 2024
        • Improvisation Workshop with Elisabeth Harnik 2024
  • Collaborators
  • EN
    • CAT
    • ES

MIXTUR 2024 COMMISSIONS

One of the fundamental pillars of Festival Mixtur is the commitment to the promotion of new sound creation. Since its foundation the festival has commissioned 67 new works by composers from Catalonia, Spain and around the world always premiered  by first rate performers. These premieres are given through a close collaboration between composers and performers during the organization and the development of the festival and provide listeners high-quality and rigorous performances.

 

Mixtur XIII edition  includes 5 premieres commissioned to composers:  Ariadna Alsina (Catalonia), Alberto Bernal (Madrid), Irene Galindo Quero (Andalusia), Alexander Khubeev (RU) and Isandro Ojeda (Andalusia). 

COMPOSITORS

Ariadna Alsina

Ariadna first studied violin and sonology and focused on composition, guided by L. Naón at ESMUC. In Paris, she studied with J. M. López López, H. Vaggione, Ch. Groult, H. Parra, M. Matalon. She joined the Cursus at Ircam and the Master in Mixed Music Composition at the Haute École de Musique de Genève (P. Dusapin, L. Naón and M. Jarrell). She completed a doctorate on the writing of time in mixed music at the University of Paris-8. She works in her compositions with the malleability and transformation of sound material and carries out constant research about timbre.

Alberto Bernal

Alberto Bernal. Composer and sound artist of classical formation and several influences, with works framed near the turning point between traditional concert situations and other disciplines like installation, performance of video art. His work is, above all, a search and deconstruction of borders: between the aesthetic and sociopolitical realms, or between the different conventional perceptual fields (sound, image, word, quotidian perception). Since 2023 he has been professor at the Royal Conservatory of Madrid.

Irene Galindo

Granada, 1985. Irene Galindo Quero studied in Freiburg and Cologne. Since 2012 learns sarod with Pandit Brij Narayan. 2014-16 taught composition at the CSMA Aragón. Her work has been recognised with numerous awards: Berlin-Rheinsberger Kompositionspreis, Kompositionspreis der Landeshauptstadt Stuttgart, Brahmshaus Baden-Baden, Residencia de Estudiantes Madrid. She has received commissions from the Deutsche Oper Berlin, Concertgebouw Brugge, Wittener Tage für Neue Kammermusik, Staatsoper Hamburg, Philharmonie Luxembourg. She works regularly with the poet Ángela Segovia. Lives in Berlin.

Alexander Khubeev

Alexander Khubeev (born 1986) graduated from Moscow Tchaikovsky Conservatory in 2011, won awards in Argentina, Italy, Kazakhstan, Netherlands, Russia, Ukraine, USA including prestigious Gaudeamus Prize (Utrecht, 2015). He received scholarships from Darmstadt Summer Courses (2014) and Berlin Academy of Arts (2018). His music is played in concerts held in more than 30 countries around Europe, Asia, South and North America. He is artistic director of Tchaikovsky Young composers Academy and co-founder and curator of Composition course reMusik.org. Since 2023 he lives and works in Paris.

Isandro Ojeda

The composer, improviser and multimedia artist Isandro Ojeda-García -Seville, 1989- is interested in written or improvised music, experimental poetry, video installation and the construction of sound-creating objects. A singular voice, always hunting for sources of artistic material and a generation of aesthetics. His work is born from setting to the limit systems and numerical devices with potential to configure an hybrid imaginary of strongness.

Historical

National and International Commissions

2023

  • Joan Gómez Alemany (Comunitat Valenciana): AMERICAN WAY OF LIFE. Homenatge a Josep Renau(estrenada per Sond’Ar-te Electric Ensemble).
  • Raquel García-Tomás (UA): bukimi no tani(interpretada en directe per la mateixa compositora).
  • Victor Morató (Catalunya): dansar ara(estrenada per Sond’Ar-te Electric Ensemble).
  • Projecte House Music Europe : A moment to land (estrenada per BCN Modern Ensemble).
  • Joan Parnau Pàmies (Catalunya): Sought Music (Homage to György Ligeti) (estrenada per alumnes del Conservatori Municipal de Música de Manresa).
  • Reiko Yamada (JP/Catalunya): peça a la nova exposició al Santa Mònica “La possibilitat de no haver sigut”
  • Bethany Younge (US): undergrowth / polka(estrenada per Ensemble LUX:NM).

2022

  • Daniel Apodaka (Euskadi): Oiseaux de Nuit (estrenada per Trio Accanto).
  • Raquel García-Tomás (Catalunya): SIGHTINGS(estrenada per Ensemble Via Nova).
  • Rafael Murillo Rosado(Andalucía): Ricami (estrenada per Ensemble Suono Giallo).
  • Elena Rykova (RU): In the Presence of Absence(estrenada per Schallfeld Ensemble).
  • Reiko Yamada (JP/Catalunya): Sosoveuveu(estrenada per La Trifulga dels Fútils i Megumi Eda).

2021

  • José Río-Pareja (Catalunya): Nómada S5 (estrenada per Ulysses Ensemble).
  • Marc García Vitoria (País Valencià): Clickbait (estrenada per Funktion).
  • Maria de Alvear (Comunidad de Madrid/DE): Liberar (estrenada per Kebyart Ensemble).

2020

  • Inés Badalo (ES/PT): Vortex, per a Viola (estrenada per Anna Puig)
  • Aaron Cassidy (US/GB): Study for Self-Portrait, 1964. Electroacoustic
  • Voro García (País Valencià): Phoenicoperus, per a trio (estrenada per Brouwer Trio)
  • Itziar Viloria (Euskadi): Kresala (estrenada per Ensemble Garage)

2019

  • Pablo Carrascosa (País Valencià/Catalunya): L5DD, per a gran ensemble (estrenada per ESMUC Ensemble)
  • Núria Giménez-Comas (Catalunya): Tierra, polvo, tumba, per a quartet de guitarres (estrenada per Aleph Guitarrenquartett)
  • Iván González (País Valencià): Conduction, amb la Banda Bentocats (Escola Municipal de Música de Sant Anndreu – Barcelona)
  • Martin Grütter (DE): op. 973 Bestialischesper a flauta, clarinet, piano, violí i violoncel. (estrenada per Ensemble TM+)
  • Yoann Sanson (FR): Bords Plateau (new movement) obra electroacústica.

2018

  • Alberto Bernal (Comunidad de Madrid): numbers #2 “variations on a theme by Brahms” per a violí, piano, electrònica i vídeo (estrenada pel duo Hellqvist/Amaral)
  • e-cor ensemble (IT): Rest In Rust, obra electroacústica (estrenada pels mateixos compositors)
  • Josep Maria Guix (Catalunya): Watermark, per a piano (estrenada per Ricardo Descalzo)
  • Julien Malaussena (FR): Louis Bona in a day of indecision, per a flauta, obòe, clarinet, trompa, trompeta i trombó (estrenada per l’Ensemble 2e2m)
  • Adolfo Nuñez (Comunidad de Madrid): Nuestra cápsula, obra electroacústica (estrenada pel mateix compositor)
  • João Pedro Oliveira (PT): Tesseract, obra audiovisual (estrenada pel mateix compositor)
  • Lula Romero (Illes Balears): Alla deriva, per violí, piano i electrònica (estrenada pel duo Hellqvist/Amaral)

2017

  • Ashkan Behzadi (IR): Mince and Quince per a quartet de marimbes (estrenada per Drumming Marimba Quartet)
  • Ramon Humet (Catalunya): Profund per a 9 bols tibetans i electrònica (estrenada per Miquel Bernat)
  • Victor Ibarra (MX): Nocturno per a clarinet, violí, violoncel i piano (estrenada per Kommas Ensemble)
  • Abel Paúl (Castilla y León): Mano y mente per a percussió (estrenada per Miquel Bernat)
  • Eduard Resina (Catalunya): Flors i viola per a viola (estrenada per Paul Beckett)
  • Fernando Villanueva (Castilla-La Mancha): The art of worldmaking per a quartet de marimbes (estrenada per Drumming Marimba Quartet)

 2016

  • Anna Bofill (Catalunya): Alter-Altera (obra electroacústica)
  • Roger Costa (música) i Albert Quesada (dansa) (Catalunya): Rewrite
  • Ezequiel Ezquenazi (AR): Wind1000 (obra electroacústica)
  • Elvira Garifzyanova (RU): Almost broken music box-I (estrenada per Dissonart Ensemble)
  • Ugurcan Öztekin (TR): Ars Moriendi (estrenada per Ensemble Diagonal)
  • Demián Luna (AR/Catalunya): El elogio de la sombra (estrenada per BCN216)
  • Manel Ribera (Catalunya): Les obnibulacions ontològiques (estrenada per Fanny Vicens)
  • Manuel Rodríguez Valenzuela (País Valencià): 64 daily self-portraits/micro-variations on a motive of Brahms (estrenada per Manufaktur für aktuelle Musik)

2015

  • Pedro Álvarez: Acrisolares per a flauta piccolo, saxo tenor, vibràfon i piano (estrenada per l’Ensemble CrossingLines)
  • Agustí Charles: Transit per a saxo (alto i tenor), acordió i electrònica en temps real (estrenada per VertixeSonora Ensemble)
  • Henrik Denerin: verzeitlichung per a clarinet, piano, violí, viola i violoncel (estrenada per l’Ensemble Recherche)
  • Santiago Díez-Fischer: De pie sobre el vidrio per a saxo, piano, guitarra elèctrica, acordió i electrònica (estrenada per Vertixe Sonora Ensemble)
  • Iñaki Estrada: Laboa per a flauta, saxo, piano, recitador i electrònica (estrenada per l’Ensemble CrossingLines)
  • Mateu Malondra: Free Module Study nº1 per a saxo, piano, guitarra elèctrica, acordió i electrònica (estrenada per Vertixe Sonora Ensemble)
  • Nuria Nuñez Hierro: Morlocks per a saxo, piano i percussió (estrenada per l’Ensemble CrossingLines)

2014

  • Aurélio Edler-Copes: Unity per a veu voz amplificada (Estrenada per Natasha López)
  • Panaiyotis Kokoras: Conscious Sound per a Clarinet, Violí, Violoncel, Piano i Electrònica (Estrenada per l’Ensemble Taller Sonoro)
  • Joakim Sandgrem: Points Caractéristiques per a Clarinet, Violí, Violoncel, Piano i Electrònica (Estrenada per l’Ensemble Taller Sonoro)

2013

  • Germán Alonso: Catulo-Carmen per a Contratenor i Flauta Dolça Baixa amplificats (Estrenada per UMS ‘n JIP)
  • Santa Buss: Líneas de Miró per a Clarinet i Percussió (Estrenada per l’Ensemble Nü)
  • Carlo Ciceri: Crebra per a Flauta, Clarinet, Saxo, Arpa, Violí, Viola i Violoncel (Estrenada per l’Ensemble Matka)
  • Luis Codera Puzo: Oscillation ou Interstice per a Tenor i Flauta Dolça Baixa (Estrenada per UMS ‘n JIP)
  • Daniel Fígols: Mira per a Baríton, Flautas Dolçes i Electrònica (Estrenada per UMS ‘n JIP)
  • Facundo Nicolás Llompart: Livre de bord per a Flauta, Clarinet, Saxo, Arpa, Violí, Viola i Violoncel (Estrenada per l’Ensemble Matka)
  • Octavi Rumbau: Cantiga Vazia per a Contratenor, Flauta Dolça Contratenor i Electrònica (Estrenada per UMS ‘n JIP)
  • Mirjam Tally: Sunrise per a Veu, Flauta Dolça Tenor amplificada, Campanes Tibetanes i Electrònica (Estrenada per UMS ‘n JIP)

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