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György Ligeti monograph by ESMUC students

MIXTUR 2023

Program

Concert n.10: György Ligeti monograph by ESMUC students – To celebrate the hundredth anniversary of
Ligeti’s birth we will listen to various works by
him for solo or chamber ensemble.

  • Ramifications (4.3.2.2.1) (1968) with Vlad Stanculeasa (conductor) – 9’44

Amanda Camacho Perez, Nel Cardo Trullàs, Isaac Oliu, Martí Delgado, Elena Rodríguez, Carmen Pascual i Helena Gilabert (violins), Adela Beiro i Laura Torroba (violes), Claudia Cardenas i Sergio Sancho (cellos) i Marina Piedrahita (contrabass)

  • Continuum (1968), for harpsichord, Dario Tamayo (harpsichord) – 5’28
  • Música Ricercata (1968): 
    • 7 and 8 with percussion students – 5’
    • 2 , 3, 4 and 6 Marina Vilches (piano) – 8’
  • Öt Arany-dal (1952), cycle of 5 songs about poems by János Arany. Helena Tajadura (mezzo),  Lluis Arratia (baritone) and Esther Vilar (piano)
  • Trefás induló (1942) –  2’
  • Polyphonic Étude (1943) 1’40 
  • Three Wedding Dances (1950) Marcel Castella and Fernando Sánchez (piano 4 hands) – 2’56’’
    • I. A Kapuban a szekér  
    • II. Hopp ide tisztán 
    • III. Csángó forgós 
  • Sonatina (1950) 4’
    • I. Allegro 
    • II. Andante
    • III. Vivace
  • Allegro (1943) Marina Vilches i Alejandro López (piano 4 hands) – 0’40’’ 

 

Free entrance. Entry will be strictly on a first-come, first-served basis. Limited capacity.

A production by Escola Superior de Música de Catalunya.

information

This concert by ESMUC students from different specialties is an excellent demonstration of the first and medium-term period from Ligeti’s work (1923-2006). Since its beginning in Hungary much of his music takes the legacy from another of the major Hungarian composers such as Béla Bartók. Ligeti, much like Bartók, explores the intervallic and folk music from Hungary from first avant-garde musical practices. This first period generally dates from the forties and fifties. Later in the sixties starts a second period that fully belongs to the second vanguard with serialism and aleatoric music. An example of this is the concert piece Ramifications that deeply explores one of Ligeti’s contributions to the techniques of the time: micro polyphony. On the other hand Continuum is a good example of the influence that American minimalism from Reich or Riley had on the Hungarian composer’s music. 

11/10/2023
19:00h
L’Auditori (Sala 4)

Free

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